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Their version of 'Do You Love Me' is a fair and faithful approximation of The Contours in form, but though he's game enough, the polite edge of English in Poole's vocal is no match for Billy Gordon's original rasping plea to his woman to take him back now that he's learned some dance moves. Yes it's a trite concept for a song, but Gibbon's comical desperation makes it work - I can picture him busting some moves to illustrate as he sings while Poole just sounds pissed off in a way that at a stroke shaves a layer of charm off what is essentially a ludicrous proposition. Not 'bad', just eversoslightly redundant.
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