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As it appears on 'Rubber Soul', McCartney's Francophile homage charms in its brevity, a 'White Album' cut two years early that works well as the side one closer but lacks sufficient substance to stand by itself as a single. Which is fine because it was never meant to, but in order to thicken the pot folkies The Overlanders stir in a generous helping of chunky stodge and sickly sincerity that makes their 'Michelle' flow with all the warmth of thin blood around a fat lined artery. It's another 'beefing up' approach that although worked so well on 'Keep On Running', makes 'Michelle' a house of cards stuck together with gooey flour and water paste - the overall structure remains broadly the same, but all delicacy and fragility is gone. Which was kind of the main selling point in the first place.
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