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If it's aim was to be memorable then it succeeds admirably, but it also succeeds in being admirably irritating; a brass horn blast of misplaced jokey humour to soundtrack the recurring punchline to a joke that Fame's too cool for school vocal never tells. It raises a smile on first appearance but thereafter follows an exercise in teeth grinding anticipation as we await the next time it barges in. Which is why I've always preferred Sandie Shaw's 1969 version to Fame's; the honk is there too, but it's tamed and toned down to form a neat bridge between the liyrics instead of a dominating in your face honk that completely overshadows the good work Fame and his band put in.
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